paintings on deconstructed boxes

Remember when *deconstructed* was the buzz word of the day? I don’t see that word out there so often these days, but it does describe what I have done with the commercial product boxes I used as supports to paint on in the examples below.

I pulled apart, or deconstructed various three-dimensional cartons or product boxes without tearing. Once flattened, I joined two or more boxes together to make a support for painting experiments. There are at least four butter boxes joined in this first example, with most traces of the overall yellow color and deep blue printed lettering painted out. In the various views of the Brillo box painting, transparent paint and unpainted portions incorporate areas of the original box color and lettering into the composition.

Butter box painting #1, mixed media oil painting on paper board, approx. 24 x 14 inches, Marie Kazalia

I am also interested in the different effect the composition has when the form is viewed horizontally.

Butter box painting #1, horizontal, artist Marie Kazalia

Four views of Brillo Box painting:

Brillo box painting #1, mixed media acrylic, approx. 19 x 12 inches, artist Marie Kazalia

Horizontal views present different compositions:

Brillo Box painting #1, artist Marie Kazalia (horizontal view 1)

Brillo Box painting #1,Marie Kazalia, (horizontal view #2)

Inverted vertical view:

Brillo Box painting #1, Marie Kazalia (vertical view #2)

 

Brillo box painting # 2:

Brillo Box #2, oil pastel and oil paint on printed cardboard Brillo box, Feb 2012, Marie Kazalia

 

Brillo box painting #3:

Brillo Box 3, acrylic on cardboard printed Brillo box, Feb 2012, Marie Kazalia

Light Over Dark on Mulberry Paper

The conventional wisdom is to only post your best work online. But, I painted this last week and want to *look* at it. One way for me to look is post the image here. This is a mixed media painting on a sheet Thai Unryu Mulberry paper (24 x 37 inches). The texture in this painting is due to the qualities of the paper and add further interest in this artwork. I painted this one in several layers beginning with watercolor paint, then gouache and then acrylic. The transparent yellow overlaps the dark to create what is known as a  Verdaccio tone, which is a rich earthy green. Verdaccio is an anciently used paint tone traditionally created by mixing yellow ochre with black. In this case I created the verdaccio with an overlay of transparent yellow rather than mixing the two colors together. The geometric forms in this painting derive from paper lanterns that I constructed from my old watercolor paintings. One summer, I created one lantern each day (it took about one hour to make one lantern)–that was my goal. After a few weeks I had no more watercolor paintings to cut up for lantern-making. I lit my paper lanterns with candles outdoors in my garden to photograph at night. A few years later I deconstructed the lanterns and began incorporating them into my paintings in various ways.

Lantern 1, mixed media on Thai Unryu paper, 24 x 37 inches, artist Marie Kazalia

https://www.zatista.com/product/details/20713/lantern-1

Painting in the Round

In 2008, I experimented with round mold-formed watercolor paper. This paper is 15 1/2 inches across, heavily sized, has slightly irregular edges and is quite thick and stiff.

Here are two:

Veils, mixed media on round formed paper, 15-1/2 inches in diameter, by Marie Kazalia, 2008

Petals, mixed media on round mold-formed paper, 15-1/2 inches in diameter, by Marie Kazalia, 2008

All artworks on this site may be purchased directly from the artist via PayPal invoice. Contact Marie Kazalia by email: MarieKazalia@gmail.com

The round painting titled Veils may be purchased on the Zatista site here, and the painting titled Petals here. Both round paintings are also in my ArtWeb portfolio.

gold metallic

mixed media on handmade Thai paper, 22” w. x 31”h. (irregular edges) 56 cm x 78.7 cm

Marie Kazalia used acrylic and Flashe artist paints on Thai paper: colors are gold, reds, medium blue, violet-black, $500.USD, email the artist: mariekazzaz@embarqmail.com

Resistance

Resistance, artist: Marie Kazalia, email the artist: mariekazzaz@embarqmail.com

The title, Resistance, refers to the painting techniques used–which are the Process Painting techniques of layers, stain and poured paint. The silver acrylic paint layer (over yellow and texture on canvas) acts as a resist to the watery splashed on dark paint stain, so that it does not soak into the canvas as in traditional Stain Painting.  The stain layer of watery paint bleeds out to break from the confines of the hardedge forms based on military camouflage patterns. The artist mixes much of her own paint using painting mediums and dry pigments. In this case, the artist mixed silver aluminum powder into an artist grade acrylic medium as the pigment binder, to create the silver paint used in this painting.

Resistence

mixed media on stretched canvas (acrylic, Flashe on canvas)

48″ x 48″

Artist: Marie Kazalia

$5,000.USD

transparency sunset

mixed media on canvas, 48" x 48", Artist: Marie Kazalia, date: May 2010

Transparency sunset” mixed media painting in multiple layers of color–poured acrylics and Flashe artist paints–many of the paints the artist uses she mixes herself from artist grade pigments and mediums. This is a sublime and transcendent piece, contact the artist to purchase: email: Mariekazzaz@embarqmail.com     $5K  USD

splash pattern

mixed media on panel, artist: Marie Kazalia

Splash pattern magenta

mixed media on panel, 36"h.x 18"w., Artist: Marie Kazalia